The actual division - Opera

Premiere with soloists from La scala Milan took place on 9th June 2001.
Premiere with soloists of the National Theatre’s Opera took place on 12th June 2001 / Main Stage

Opera in four acts
Libretto was written by F. M. Piave based on Victor Hugo’s play Le roi s’amuse.
Conductor Dejan Savić / Giuseppe Montanari
Stage Director Predrag Protić
Set Designer Boris Maksimović
Costume Designer Ljiljana Radonjić Orlić
Choreographer Vladimir Logunov

Premiere Cast:


Duke of Mantua Dušan Plazinić / Dejan Maksimović / Janko Sinadinović / Silvano Malandra 
Rigoletto, the court jester Nikola Mitić / Miodrag Miša Jovanović / Piero Terranova 
Gilda, his daughter Sanja Kerkez / Snežana Savičić / Sabina Puertolas Azara 
Count Monterone Mika Jovanović / Velizar Maksimović 
Count Ceprano Miodrag Matić / Aleksandar Stamatović 
Countess Ceprano Olivera Dukić / Biljana Trmčić 
Marullo, a courtier Branislav Kosanić / Nenad Nenić 
Borsa, a courtier Igor Matvejev / Aleksandar Dojković 
Sparafucile, an assassin Ivan Tomašev / Sveto Kastratović 
Maddalena, his sister Dragana del Monaco / Olga Savović  
Giovanna, Gilda’s nurse Ivanka Raković / Mirjana Jovanović 
Duchess’s Page Valentina Dobrić Gavrić / Tatjana Stepanović 
Warden Aleksandar Stamatović / Miodrag Matić 

Extras: courtiers, pages, guard, servants
The plot takes place in Mantua and surroundings in XVI century.
First and third acts take place in the Mantua Court; second act in Mantua’s surroundings.
Fourth act takes place at the bank of the Mincio River.
Orchestra and Choir of the Opera and Ballet ensemble take place in the performance.

Concertmaster Vesna Jovanović
Choir rehearsed by Ana Zorana Brajović and Đorđe Pavlović
Stage music lead by Ana Zorana Brajović 
Assistant Director Ivana Dragutinović
Assistant Set Designer Miraš Vuksanović
Assistant Costume Designers Branka Đuričić, Nevenka Milosavljević
Organiser  Maša Milanović 
Music Associates  Srđan Jaraković, Nevena Spasović / Dragan Radivojević
Prompter  Silvija Pec
Translation and caption Konstantin Carina
Screenplay Branislava Pljaskić Ristić
Painters Miroslav Nikolić, Miodrag Musterović, Svetislav Živković, Srđan Pušeljić, Ilija Krković
Sculptor Stanimir Pavlović
Accessories’ Manufacturing by Radica Komazec, Borislav Stojiljković
Mask Designer  Dragoljub Jeremić
Lighting Designer  Miodrag Milivojević
Sound Design  Miroslav Vuković
Props Dejan Janković
Stage Master  Dimitrije Radinović

Sets and costumes were made in the National Theatre’s workshops.

SYNOPSIS
ACT I. Mantua, 1500s. At his palace, the Duke lightheartedly boasts to his courtiers of amorous conquests, escorting Countess Ceprano, his latest prize, to a private chamber as his hunchback jester, Rigoletto, makes fun of her husband. Marullo announces that Rigoletto is suspected of keeping a mistress, and Ceprano plots with the courtiers to punish the hated buffoon. Attention is diverted when Monterone, an elderly nobleman, enters to denounce the Duke for seducing his daughter. Ridiculed by Rigoletto and placed under arrest, Monterone pronounces a curse on both the Duke and his jester. On his way home that night, Rigoletto broods on Monterone's curse. Rejecting the services offered by Sparafucile, a professional assassin, he notes that the word can be as deadly as the dagger. Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife, then warns the governess, Giovanna, to admit no one. But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet. The nobleman declares his love to Gilda, who has noticed him in church. He tells her he is a poor student named Gualtier Maldè, but at the sound of footsteps he rushes away. Tenderly repeating his name, Gilda retires. Meanwhile, the courtiers stop Rigoletto outside his house and ask him to help abduct Ceprano's wife, who lives across the way. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall. The courtiers break into his home and carry off Gilda. Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house, discovering only her scarf. He remembers Monterone's curse.
ACT II. In his palace, the Duke is distraught over the disappearance of Gilda. When his courtiers return, saying it is they who have taken her and that she is now in his bedchamber, he joyfully rushes off to the conquest. Soon Rigoletto enters, warily looking for Gilda; the courtiers bar his way, though they are astonished to learn the girl is not his mistress but his daughter. The jester reviles them, then embraces the disheveled Gilda as she runs in to tell of her courtship and abduction. As Monterone is led to the dungeon, Rigoletto vows to avenge them both.

ACT III. At night, outside Sparafucile's run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassin's sister and accomplice, Maddalena. Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona, then pays Sparafucile to murder the Duke. As a storm rages, Gilda returns to hear Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead. Resolving to sacrifice herself for the Duke, despite his betrayal, Gilda enters the inn and is stabbed. Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance. Frantically cutting open the sack, he finds Gilda, who dies asking forgiveness. Monterone's curse is fulfilled.

Taken from www.metoperafamily.org